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Ensuring a Productive Rehearsal
Over the years I’ve been involved with ensembles of varying sizes and genres. As a result, I’ve experienced some extremely productive rehearsals, and some less than productive rehearsals. Below are a few things that can help your next series of rehearsals run well. Be Prepared It is important to have your part ready to the...

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Multi-Stop Travel With Your Bass – Part 3: On the Plane, Bass and Travel
Most people realize that there are special considerations when flying with your upright bass. These considerations are significantly expanded if your musical journey requires a series of planes, trains, and automobiles, before you arrive back at your home door. To wrap up my discussion on this topic, below are a few ways I prepare for...

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Multi-Stop Travel With Your Bass – Part 2: Packing/Luggage/Bass
Most people realize that there are special considerations when flying with your upright bass. These considerations are significantly expanded if your musical journey requires a series of planes, trains, and automobiles, before you arrive back at your home door. With this in mind, I’d like to continue my discussion from last time by talking about...

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Multi-Stop Travel With Your Bass – Part 1: Physical Preparation
Most people realize that there are special considerations when flying with your upright bass. These considerations are significantly expanded if your musical journey requires a series of planes, trains, and automobiles, before you arrive back at your home door. With this in mind, I’d like to address three subjects in this series about Multi-Stop Travel:...

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Introduction to Chromatic Scales
For many bassists, the chromatic scale is an underused resource in their practice toolkit. Properly approached, practicing chromatic scales can vastly improve our shifting, intonation and mental map of the fingerboard. Below are a few beginner exercises using the chromatic scale that I find to be useful for those just becoming familiar with the chromatic...

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Learning a Tune “On the Spot”
Last week I received a question about how to memorize a tune fast: “…For example, [bassist] playing a jazz tune you’ve never played before with a pianist as they shout out the changes for one chorus, then stop for the second. How can we develop skills to memorize these changes instantly?” No doubt the situation...

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Memorization: Tips for Bass Players
I received the following question this week from a concerned double bassist: “How can I keep from having memory slips on stage?” Even experienced performers may have the occasional memory faux pas on stage. However, there are some things we can do to minimize the risk. Be prepared early. The earlier you can play something...

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Preferred Scale Books for Bass Players
Recently I’ve been getting a lot of people asking for recommendations for “good” scale books for the double bassist. This is an interesting subject, as there so many books out there! Furthermore, whether a scale book is “good” or not often depends not on their content, but rather how they are applied. This is why...

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Avoiding Discomfort and Pain When Playing the Upright Bass
It should be physically easy to play the upright bass. When we experience discomfort or pain, during or after playing, it is our body’s way of telling us that we are doing something wrong. While each body is unique, there are general guidelines all bassists can follow which will reduce the potential for bass-related injury....

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Classification of Three Types of Thumb Position on the Double Bass
When we speak of thumb position on the bass we are referring to a left hand (l.h.) fingering system where the thumb is used to depress the string. The thumb is on top of the board (rather than behind the neck) and it presses the string down like any other finger. However, often telling someone...

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